The about page says founded in a kitchen; the comic shows the kitchen. Put how it started in the premise, the founders on the cast from their photos, and the studio writes it a chapter an issue — the first truck, the first winter, the first time everything broke — for the team page, the all-hands or a new hire's first week.
Write how it started and what kept it going: the two roommates, the one good umbrella, the customer who stayed. Everyone or Teen as the rating — the version you'd tell a new hire.
Pop Art for a brand with a loud colour, Ligne Claire for a clean and honest one, Minimal-Line Memoir for the founder's own voice.
The founders get model sheets drawn from their photos, with their permission, and the first office gets drawn as it was. Anyone who was there at the start can join the cast.
One chapter an issue, and the writer reads what came before, so the bad first logo in issue two is still a joke in issue six. Download each finished issue for the about page or the onboarding deck.
Press start and the premise lands in the box of a new comic with its look already picked. Change every word, or the look, before anything is drawn.
Two roommates who started a bike-repair business out of a shared kitchen are now a company of two hundred, and every issue is one near-disaster they survived — the first truck, the first winter, the first time the website went down.
In the Pop Art look
Start with this ideaA company that makes one very good umbrella explains, issue by issue, every terrible umbrella its founder owned before she gave up and designed her own.
In the Ligne Claire look
Start with this ideaOr in any of the twenty-eight. A comic picks one look on its second step, and every panel of every issue keeps it.
Yes. A finished issue downloads as a narrated video, or as its panels in a zip with the captions, and both are yours to put wherever the team and your customers are.
No, and it's better if it isn't. Give the writer the near-misses and the bad first logo. You read every script before a panel is drawn, so the lawyers can read it too.
You do. Your premise, your founders' model sheets and the finished issues are yours. We don't claim them, and we don't train models on them.