Most comic ideas never leave the back of someone's mind, because learning to draw a page takes years. Here you write the premise and make the calls; Panel & Ink writes the issues and draws every panel in the look you pick, with the same cast from the first page to the last.
Type the idea the way you'd tell a friend, in one box. The wand tidies it and adds the details worth drawing, and the studio checks it has something that comes back every issue — the reason a reader wants the next one.
Pick how it's drawn, from Silver-Age halftone to soft picture-book gouache. The looks that suit your premise come first, and every panel of every issue keeps the one you choose.
Every regular gets a model sheet. Draw them in the look, add a photo that inspires one, or leave a question mark and let the studio imagine them. The places get the same care.
The board turns it into a whole comic — title, cast, places, voice — every line yours to change. Then issue #1 is written, drawn panel by panel, and lands on your desk to review.
Press start and the premise lands in the box of a new comic with its look already picked. Change every word, or the look, before anything is drawn.
A ferry captain who has crossed the same strait every day for thirty years wakes to find the far shore a mile further out — and every morning it has moved again, and only she remembers where it used to be.
In the Ligne Claire look
Start with this ideaTwo sisters inherit a run-down travelling circus, and every tent they reopen holds an act their grandmother hid from the world.
In the Painted Graphic Novel look
Start with this ideaOr in any of the twenty-eight. A comic picks one look on its second step, and every panel of every issue keeps it.
No. You write the premise and make the calls; the studio draws every panel in the look you pick, and draws each character from their model sheet so they look like themselves from panel to panel.
As much as you want. The premise, the cast, the places and the voice are yours to change on the board, and you can tell the writer what happens next — one issue's worth or a whole pile of ideas.
Ask for another take on that panel. Each issue's panels come to your desk to review, and you can redraw the ones that miss before the issue is finished.